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Recent Articles
Recent Articles by Carlos Suarez De Jesus
Screw the recession. The nation's number one art fest is bigger than ever.
Where Roadkill and pussy pundits thrive.
A show in Wynwood by two artists still on the island takes the dictator for a ride.
Tobacco Road turns 96 with a righteous bash.
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National Features >
Riverfront Times
Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.
By Kristen Hinman
Broward-Palm Beach New Times
Here's how you become one of those people who screams at his kid's coach.
By Bob Norman
SF Weekly
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
Sharp-Dressed Men
Visual artists interpret the classic rockin beards of ZZ Top.
Published on August 13, 2008 at 3:01am
New York-based performance and visual artist Rafael Sanchez has discovered the risks that scraggly chin fur can pose in post-9/11 America. I began growing my beard in 2004 and realized that in the current political climate, I couldnt even grab a cab with my beard, Sanchez rues. The artist, who says he has done a lot of drag and was used to keeping his face and body closely shaved, discovered his hirsute mug was a ticket to political discourse. The beard itself became a symbol of power. I was listening to ZZ Top with Jim Fletcher, my longtime collaborator, and we decided the band offered an interesting way to approach beard-dom, he laughs.
Sanchez and Fletcher will perform the legendary rock groups 1974 album Fandango at 8 p.m. at the Museum of Contemporary Art as part of the Sympathy for the Devil: Art and Rock and Roll Since 1967 exhibit. Its kind of like Abbott and Costello meeting ZZ Top, Sanchez says. We will have a moody background film and will be lip-synching songs from the album. Tickets cost five dollars, three bucks for students and seniors.
Sat., Aug. 16, 2008